Jun 13 2010 11:30 PM ET

Tony Awards: Ladies and gentlemen, your 2010 winners are...

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Hollywood stormed Radio City Music Hall at this year’s Tony Awards, as bold-faced names more regularly associated with the silver screen walked away with the lion’s share of the evening’s statuettes, including Denzel Washington, Catherine Zeta-Jones, and Scarlett Johansson. Meanwhile, the American rock n’ roll story Memphis won for Best Musical and the British artworld production, Red, won Best Play and five other Tonys. Read on for the full list of nominees and winners…

Best Play

In the Next Room or the Vibrator Play, Sarah Ruhl

Next Fall, Geoffrey Nauffts

Red, John Logan

Time Stands Still, Donald Margulies

WINNER: Red, John Logan

Best Musical

American Idiot

Fela!

Memphis

Million Dollar Quartet

WINNER: Memphis

Best Book of a Musical

Everyday Rapture, Dick Scanlan and Sherie Rene Scott

Fela!, Jim Lewis & Bill T. Jones

Memphis, Joe DiPietro

Million Dollar Quartet, Colin Escott and Floyd Mutrux

WINNER: Memphis

Best Original Score (Music and/or Lyrics) Written for the Theatre

The Addams Family, Music & Lyrics: Andrew Lippa

Enron, Music: Adam Cork, Lyrics: Lucy Prebble

Fences, Music: Branford Marsalis

Memphis, Music: David Bryan, Lyrics: Joe DiPietro, David Bryan

WINNER: Memphis

Best Revival of a Play

Fences

Lend Me a Tenor

The Royal Family

A View from the Bridge

WINNER: Fences

Best Revival of a Musical

Finian’s Rainbow

La Cage aux Folles

A Little Night Music

Ragtime

WINNER: La Cage aux Folles

Best Performance by a Leading Actor in a Play

Jude Law, Hamlet

Alfred Molina, Red

Liev Schreiber, A View from the Bridge

Christopher Walken, A Behanding in Spokane

Denzel Washington, Fences

WINNER: Denzel Washington, Fences

Best Performance by a Leading Actress in a Play

Viola Davis, Fences

Valerie Harper, Looped

Linda Lavin, Collected Stories

Laura Linney, Time Stands Still

Jan Maxwell, The Royal Family

WINNER: Viola Davis, Fences

Best Performance by a Leading Actor in a Musical

Kelsey Grammer, La Cage aux Folles

Sean Hayes, Promises, Promises

Douglas Hodge, La Cage aux Folles

Chad Kimball, Memphis

Sahr Ngaujah, Fela!

WINNER: Douglas Hodge, La Cage aux Folles

Best Performance by a Leading Actress in a Musical

Kate Baldwin, Finian’s Rainbow

Montego Glover, Memphis

Christiane Noll, Ragtime

Sherie Rene Scott, Everyday Rapture

Catherine Zeta-Jones, A Little Night Music

WINNER: Catherine Zeta-Jones, A Little Night Music

Best Performance by a Featured Actor in a Play

David Alan Grier, Race

Stephen McKinley Henderson, Fences

Jon Michael Hill, Superior Donuts

Stephen Kunken, Enron

Eddie Redmayne, Red

WINNER: Eddie Redmayne, Red

Best Performance by a Featured Actress in a Play

Maria Dizzia, In the Next Room or the Vibrator Play

Rosemary Harris, The Royal Family

Jessica Hecht, A View from the Bridge

Scarlett Johansson, A View from the Bridge

Jan Maxwell, Lend Me a Tenor

WINNER: Scarlett Johansson, A View from the Bridge

Best Performance by a Featured Actor in a Musical

Kevin Chamberlin, The Addams Family

Robin De Jesús, La Cage aux Folles

Christopher Fitzgerald, Finian’s Rainbow

Levi Kreis, Million Dollar Quartet

Bobby Steggert, Ragtime

WINNER: Levi Kreis, Million Dollar Quartet

Best Performance by a Featured Actress in a Musical

Barbara Cook, Sondheim on Sondheim

Katie Finneran, Promises, Promises

Angela Lansbury, A Little Night Music

Karine Plantadit, Come Fly Away

Lillias White, Fela!

WINNER: Katie Finneran, Promises, Promises

Best Scenic Design of a Play

John Lee Beatty, The Royal Family

Alexander Dodge, Present Laughter

Santo Loquasto, Fences

Christopher Oram, Red

WINNER: Christopher Oram, Red

Best Scenic Design of a Musical

Marina Draghici, Fela!

Christine Jones, American Idiot

Derek McLane, Ragtime

Tim Shortall, La Cage aux Folles

WINNER: Christine Jones, American Idiot

Best Costume Design of a Play

Martin Pakledinaz, Lend Me a Tenor

Constanza Romero, Fences

David Zinn, In the Next Room or the Vibrator Play

Catherine Zuber, The Royal Family

WINNER: Catherine Zuber, The Royal Family

Best Costume Design of a Musical

Marina Draghici, Fela!

Santo Loquasto, Ragtime

Paul Tazewell, Memphis

Matthew Wright, La Cage aux Folles

WINNER: Marina Draghici, Fela!

Best Lighting Design of a Play

Neil Austin, Hamlet

Neil Austin, Red

Mark Henderson, Enron

Brian MacDevitt, Fences

WINNER: Neil Austin, Red

Best Lighting Design of a Musical

Kevin Adams, American Idiot

Donald Holder, Ragtime

Nick Richings, La Cage aux Folles

Robert Wierzel, Fela!

WINNER: Kevin Adams, American Idiot

Best Sound Design of a Play

Acme Sound Partners, Fences

Adam Cork, Enron

Adam Cork, Red

Scott Lehrer, A View from the Bridge

WINNER: Adam Cork, Red

Best Sound Design of a Musical

Jonathan Deans, La Cage aux Folles

Robert Kaplowitz, Fela!

Dan Moses Schreier and Gareth Owen, A Little Night Music

Dan Moses Schreier, Sondheim on Sondheim

WINNER: Robert Kaplowitz, Fela!

Best Direction of a Play

Michael Grandage, Red

Sheryl Kaller, Next Fall

Kenny Leon, Fences

Gregory Mosher, A View from the Bridge

WINNER: Michael Grandage, Red

Best Direction of a Musical

Christopher Ashley, Memphis

Marcia Milgrom Dodge, Ragtime

Terry Johnson, La Cage aux Folles

Bill T. Jones, Fela!

WINNER: Terry Johnson, La Cage aux Folles

Best Choreography

Rob Ashford, Promises, Promises

Bill T. Jones, Fela!

Lynne Page, La Cage aux Folles

Twyla Tharp, Come Fly Away

WINNER: Bill T. Jones, Fela!

Best Orchestrations

Jason Carr, La Cage aux Folles

Aaron Johnson, Fela!

Jonathan Tunick, Promises, Promises

Daryl Waters & David Bryan, Memphis

WINNER: Daryl Waters & David Bryan, Memphis

Comments (46 total) Add your comment
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  • John

    It seemed as though every movie star there won tonight. Viola Davis’ speech was incredibly moving. Well deserved!

    • LOL

      As usual, slumming A-listers gobble up parts to burnish their “street cred” and walk off with the awards. What a shame.

      • Suzy Q

        That a ridiculous statement as most of these “slumming hollywood A-lists” as you put it like Denzel Washington, Jude Law, Catherine Zeta-Jones, and Kelsey Grammer started their careers in theatre/musical theatre and are classically trained. Christopher Walken made his broadway debut at 15. Thankfully Hollwood has also taken notice of them but that doesn’t mean they shouldn’t get to go back to their roots. Besides, if they weren’t hitting it out of the park they wouldn’t be nominated and they wouldn’t be winning. I think it’s great they didn’t just find silver screen success and leave the 8-show-a-week grind behind. Instead they bring a broader audience to it.

      • Emma

        Thank you! I hate that people refer to Broadway as a “step down” for film stars. It’s just a completely different medium. A very surprising one too. I’m shocked Memphis won so many awards. Personally, I love American Idiot. I’m also crushed Liev Schreiber didn’t win. He was spectacular.

      • Alan of Montreal

        well, at least Liev has a Tony already. I feel bad for Alfred Molina, though–he’s been nominated 4 or 5 times already without a single win.

        As for “Hollywood stars” winning all the awards, it must be remembered that in the 20s through the 60s, many Broadway stars appeared on the big screen and vice versa, so it’s not all that unusual for history to be repeating itself here (though admittedly i was surprised by Scarlett’s win).

      • Kay

        Rather true, except for Viola Davis. She is the real deal.

      • Allison

        I agree about Viola Davis, as I consider her a phenomenal stage actress who occasionally makes movies. As others have mentioned I’m not a fan of the recent influx of Hollywood types onto Broadway and it’s a shame that this usually increases ticket sales.

      • jules

        Well said, Susie Q. LOL, I think I understand what you are trying to say, but “slumming” is not a good choice of words.

      • Barb

        I wound not call it ‘slumming’ but i get what you mean – stage actors work hard at their craft only to see awards time come around and have them scooped up by people known mostly for film & tv – this kind of ‘buffing your resume’ happens a lot with these same celbrities who ‘write’ books to be able to call themselves ‘authors’. It stinks for the people who spend years on the craft.

    • SallyinChicago

      Most of those movie stars started on stage; Denzel started on Broadway, Viola, most of them. They’re back on Bdwy because the scripts being written now are written for teen actors and non-actors and CGI animations.

  • Janey

    Still no love for Sherie Rene Scott, I see. Too bad that Angela Lansbury didn’t win: she’s a legend.

    • Bibi

      A legend who has shockingly done those nasty Hollywood movies! Love, love, love Angela Lansbury.

  • rc

    Catherine Zeta Jones looks horrible! What happened?

    • morningglory

      She not only looks horrible, she IS horrible in that role. She was totally out of her league. She looked like a scared rabbit thrust on stage and told to act and sing. I’ve seen all five nominated performances in that category, and I didn’t even think she deserved the nomination. I am shocked that she won. She was just that bad.

  • kimtravels

    Was it a slow Broadway year? I took my friends to Memphis when they visited (only ones we could get at a discount) and found it subpar. It wasn’t bad…but it wasn’t GREAT. Surprised it won Best Musical and all the other awards.

    • Emma

      Totally agree! Fela and American Idiot were better. I saw all three.

      • Kay

        It has just been a bad year. I hated Fela (but the dancing was good) Memphis was just a dopey review that high school kids could have put together, and I loved American Idiot only because I like Greenday.

    • Idle

      I loved AMERICAN IDIOT without knowing Green Day.

  • jason

    viola davis is the best actress of our generation. PLUS, she is eloquent and GORGEOUS!! well deserved!!!!

  • me

    i always watch the tony’s to decide what i want to see off-broadway. “la cage” is one, also “american idiot” and “memphis”. i usually am bored to tears with plays, but i want to see “fences”. looks great.

    • Reed

      Good luck getting tickets

  • Emmit West

    Lots of winners here, but the big news is the losers… the losers being the theater going public and those of us who watched the Tony’s on TV. We had a Tony Party, but we eventually turned off the Tony’s and instead watched Legally Blonde. The show itself was lacking, and not from any one thing… it was just a poor showing from Broadway this year. Here’s hoping next year will be better.

    • Alan of Montreal

      there seemed to be a lot of audio problems this year, as well–a lot of cutting in and out. I wish they would show scenes from some of the plays like they used to, rather than having the actors explain them.

  • BARRY RICHARD

    KATE BLANCHETTE (SPELLING) LOOKED LIKE SHE HAD HER LAST MEAL IN 1967. WHAT A BAD EXAMPLE FOR OUR CHILDREN. EATING DISORDERS ARE RAMPANT IN THE ENTERTAINMENT INDUSTRY. SOMEONE NEEDS TO RESCUE HER. EAT KATE EAT…

    • Kay

      Guess you didn’t catch Jade Pinkett (???) I kept wanting to reach through the television to feed her something. EWWWWW

      • kim in kentucky

        agree! She just looked scary! (and bad dress too!)

    • kim in kentucky

      OMG – I thought she looked like a skeleton!! And THAT outfit – she looked like an alien.

      • kim in kentucky

        sorry – alien comment was for Kate — scary was for Jada

    • Bebe

      Kristin Chenowith could definitely use a Big Mac as well. Maybe two, poor shriveled thing.

  • simcha42

    i find it very hard to believe that scarlett johansson’s performance was the best this year, even among those nominated. stunt casting will only go away if we stop rewarding the practice. even though memphis was drab, at least it was a “broadway” show.

    • SallyinChicago

      She got rave reviews. NY critics are not kind to actors who are bad, so she must have deserved it.

    • Troy

      @simcha42: I was skeptical regarding her performance as well, but after looking up reviews for the show online I discovered that she got near unanimous praise for her role. Maybe she should continue exploring a career in theater.

    • Reed

      She was terrific in the role. Totally committed.

  • kim in kentucky

    I thought it was rather tacky to actually give 2 people lifetime awards – but then not to give it to them during the actual show — okay, we think you deserve this honor, but not enough to give it to you during the actual broadcast!

  • American Idiot

    I’m so upset about Best Musical I don’t even know what to say. So sad…

    • dee

      Agreed! American Idiot deserved to win. Green Day’s performance and the cast rocked the night. They were fantastic.

      • Anonymous

        Loved Green Day’s performance. It was a big f.u. to Tony nominators who cheated AI.

    • Anon

      Memphis totally deserved to win.

      • Stormy

        David Bryan [ Bon Jovi keyboardist] is a really talented guy and so deserved this award.

  • Henry

    Looks like Hollywood kicked Broadway’s ass.

  • CiCi217

    The quality of this show was amazing compared to the self-lovefests that Hollywood puts on.

    Now if someone could have just given Sean Hayes some better underwear to wear under the Spiderman costume. LOL

  • che

    Very poorly produced show; sound tech guys need to be fired!

    But Sean Hayes was amazing and hilarious! Really glad to see him on tv again. I like how he has matured. Mad piano skills too.

    • Kim R

      Sound tech guys…not so good. Sean Hayes….fantastic. Scarlett Johansson’s speach….TOO LONG!!!!!

      • Kim R

        “speech”. How humiliating. :(

  • clandrith

    @LOL and the slumming A listers comment: You are ignorant and know absolutely nothing about the theater. Many movie actors have spent years perfecting their craft on the stages of Broadway and off-Broadway. The dedicated actors who want to continue to perfect their skills return to the Great White Way when they have the opportunity or the chance to play a role in an outstanding work like “Fences” or “Red” presents itself. Not just Catherine, Denzel or Liev, but James Earl Jones, Angela Lansbury all began their careers in theater. The economy is another reason why it appears there is an influx of film stars. Recognizable names put butts in the seats. And NYC theaters need the cash influx. It would be great if the avid theater goers could keep Broadway alive, but it takes getting the casual, never-been-to-a-show-before customer into the seats, in order to grow audiences. I don’t like stunt casting (especially if the person who’s cast sucks, looking at U Samantha Harris) but that’s much different than legitimate actors returning home to the stage.

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